Horsemen (2008)

horsemen

Don’t.

Horsemen: D

Back when I worked at the video store, we would always get these awful straight-to-DVD movies that were trying to shamelessly capitalize on whatever the hot new releases were. When Transformers came out, we got Transmorphers. When Alien vs. Predator came out, we got Monster vs. Hunter. There was a never ending trickle of these knock-offs and all of them were the most horrible of horribles. I guess you can always count on people to be desperate or careless or both, because these movies would fly off the fucking shelves. What a business model!

Well, if Alan Quartermain and The Temple of Skulls is a poor man’s Indiana Jones and the Kingdom of the Crystal Skull, then Horsemen is a poor man’s Se7en.

In Horsemen, the writers played “Anti-Hero Cop Bingo” and created Detective Dennis Quaid, a poor man’s Brad Pitt, who enjoys ignoring his family in favor of work, drinking, not shaving, and hitting his punching bag a little too much because he takes his job a little too personally.

The whole movie is about Detective Dennis Quaid examining meticulously staged murder scenes that all seem to have cryptic links to Bible passages. But not passages about the Seven Deadly Sins; that was Se7en, dummy! The passages in Horsemen are about the Four Horsemen! He doesn’t find his wife’s head in a boooooooooox or anything, but his family does get a little mixed up in this crazy kinda-plagiarized bullshit!   

Instead of one bald wack-o with a room full of composition books, the villains in this movie are a cult of death-worshipers. One of them gets captured and you have to watch multiple scenes with her and Detective Dennis Quaid in the police interrogation room where he utilizes an arsenal of psychological interrogation techniques like asking obvious direct questions, losing his temper, and getting bullied by the suspect. If you give a shit about intricacies of the story, watch these scenes because the interrogation room is really the exposition room.    

The dead bodies are the best actors. Some of them are dissected and impaled and hanging off of sex-swing/meathook contraptions and they are all more believable than any of the dialogue/scenarios that involve living people in this film. I will give the movie props for using some practical effects and creativity in their presentation of human charcuterie. Detective Dennis Quiad’s looks of disgust during these scenes are especially relatable, because that’s how my face looked for most of the movie.  

That’s where the props end. Overall, this movie is a bog of unoriginality that is a natural byproduct of the hype surrounding those Biblical conspiracy movies like The Da Vinci Code.

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