The Hidden: B-
The Hidden is a weirdly charming mash-up of plagiarism and cheap 80’s tricks: It has the “Good Guy vs. Bad Guy from Another Word” thing from The Terminator and the “Who’s the Monster in the Room?” thing from The Thing. These setups are re-packaged with Chuck Norris-movie quality and come together to form 90 entertaining and brainless minutes of cassette deck boom-boxes and rocket-launcher carnage.
What’s interesting is that the movie is (pretty much) unanimously respected as a solid film (everyone from Roger Ebert to Amazon.com reviewers write glowingly about it) despite the fact that it consciously replicates other movies while stripping the thought from them. The movie is based on the plots/tropes from The Terminator and The Thing, but there are no deeper allegorical/philosophical messages about mankind’s fear of technology or Cold War paranoia. Now, you could argue that these things were only superficial backdrops in the films I mentioned, but they were at least there. The Hidden revels in the pointlessness of its own monotonous violence.
A parasitic alien criminal who can possess human hosts goes on a wild crime spree on Earth. The alien behaves with Id-like impulsivity; whatever looks good, he steals it. The host he possesses for a lot of the movie looks like the dad from The Wonder Years if there was an episode called “Kevin’s Dad Tries Meth.” Imagine that guy in a sweat-soaked beige business suit committing grand theft auto, armed robbery, and assault with a deadly weapon while looking like he’s having a stroke / overdosing on ecstasy.
The alien parasite causes all sorts of entertaining/hedonistic destruction – slaying characters who are basically all 1980’s stereotypes, eating steaks, stealing boom-boxes – until some fresh-faced FBI motherfucker (played by the fresh-faced FBI motherfucker from Twin Peaks) comes to town with an uncanny ability to predict the alien’s criminal activity. Surprise! He’s a Kyle Reece-style “good” alien who is trying to stop the “bad” alien. He’s got a ray gun and no sense of humor, which goes great with his wisecracking city cop partner who “can’t freaking believe” everything that happens in every scene.
The Hidden starts off as an action/sci-fi and evolves into an insane buddy-cop movie that celebrates all the things you expect from bargain-bin 1980s VHS flicks: automatic weapons, mullets, cocaine, minorities using weird slang created by white people (This is Danny Trejo’s second movie and although I didn’t watch the credits, I bet his character was named “Mexican Guy who says ‘fuck!’” or something), and strippers with big hair.
Is it original at all, like even for one minute? No. But it’s pretty fun. All of the make-up was detailed enough and the alien itself (a three-foot phallic slug) is super-gross when it forces its way down the throats of its hosts. Before watching, lower your expectations accordingly and I think you’ll have a good time.